 |
|
 |
Product Map (A-Z)
Browse our entire product line alphabetically by selecting a letter:
 Products - A (187 Items)
-
|
|
This superbly crafted new breed of advanced tube microphone preamp reaches far beyond mere technical excellence to deliver sound that is uniquely involving, compelling, and real. Our incredible new 2 channel Model 1100 gives you up to 20 dB more headroom than conventional preamps, allowing you to...
|
-
|
|
The Model 1788A Microphone Preamp and Model 1788RC Remote Controller form a complete Microphone preamp system with 5 outputs (3 digital and 2 analog) available simultaneously.
|
-
|
|
Since 1975 APHEX Systems has designed and manufactured innovative signal processing equipment for professional applications. Many of our processors have become the de facto standard of the industry in their particular categories: Dominator®, Compellor®, Aural Exciter®, Big Bottom®, etc.
|
-
|
|
The Model 204 is a professional two channel audio processor, where each channel independently has an Aphex Aural Exciter® section and an Optical Big Bottom® section. The unit therefore may be operated on a stereo pair or as completely separate channels for use in mixdown sessions — or any other a...
|
-
|
|
The Model 207D is an affordable, audiophile quality tube mic preamp that meets or exceeds the performance of preamps costing many times more. The Model 207D will reveal the subtlety and power of vintage condensers, ribbons, electrets, and popular dynamic mics. Even the world's most respected micr...
|
-
|
|
Have a weather person or newscaster at your station whose voice - let's face it - could stand a little help? Help is here! How about a repetitive outside feed that you're SURE could use a little tweak?
|
-
|
|
The Model 240 combines elements of Aphex’ famous Logic-Assisted gate (as found on the Aphex Models 230 and 622) and our Easyrider® automatic compressor models. The Logic-Assisted Gate technology provides the most reliable, accurate, and stable operation of any gate.
|
-
|
|
The Aphex Model 320A delivers intelligent compressor action, leveling and peak limiting simultaneously. This intelligent, versatile and highly affordable processor can be used to solve audio level problems and improve audio signals in the broadcast studio, recording studio, tape duplication house...
|
-
|
|
The Aphex 320D is a Dual Mono / Stereo Automatic Level Controller with Digital and Analog I/O. Since the introduction of the original Compellor in 1983, no other audio level controller has met with such success.
|
-
|
|
The Aphex Model 323A represents the most recent iteration of the popular Compellor / Aural Exciter, a single channel dynamics processor and program enhancer. The model 323 A permits absolute control over program dynamics, a benefit made possible by the patented Compellor processor. The Aural Exci...
|
-
|
|
The Aphex Model 622 is a dual channel dynamics processor, incorporating new, proprietary detection circuitry that provides the most reliable, accurate, and stable operation of any gate.
|
-
|
|
The Aphex Model 661 is a totally new type of compressor incorporating vacuum tube technology with the latest innovations in audio compression. This single-channel compressor/limiter is loaded with features, consolidating for the first time in one rack space, three patented Aphex circuits: Tubesse...
|
-
|
|
The Aphex Systems Model 720 Dominator II is a stereo MultiBand peak limiter designed to fit a wide range of applications. Through the use of MultiBand techniques along with new proprietary circuits, the audibility of limiting action has been greatly reduced, especially when compared to convention...
|
-
|
|
ART’s 341 Dual Channel 15 band 2/3 octave graphic equalizer features: constant Q circuitry with a 3% center frequency accuracy, 20mm center detent sliders, selectable boost/cut range of 6dB or 12dB, active balanced and unbalanced input and output connect-ions, variable input level control, clip l...
|
-
|
|
ART’s 351 Single Channel 31 band 1/3 octave graphic equalizer features: constant Q circuitry with a 3% center frequency accuracy, 20mm center detent sliders, selectable boost/cut range of 6dB or 12dB, active balanced and unbalanced input and output connect-ions, adjustable high pass filter, adjus...
|
-
|
|
The Model 355 Dual 31-Band 1/3 Octave Graphic Equalizer may be used in a variety of applications such as live sound, recording studios, instrument racks, DJ sound systems and fixed equipment installations. Designed to interface into any audio system, the Model 355 is a powerful tool for solving a...
|
-
|
|
The Model 406 Six Channel Headphone Amplifier addresses the requirements for professional headphone mixing. It’s a great processor for professional, project and home studio applications. The processor has an output and level control for each set of headphones, and a stereo input for connecting th...
|
-
|
|
The Model 416 Six Channel Personal Mixer quickly and easily combines six sources – three microphones (or balanced line inputs) and three stereo line inputs into a single stereo line-level mix. It has effects patching and phantom power (included to activate condenser microphones or active DI boxes).
|
-
|
|
The 418 Eight Channel Personal Mixer provides eight channels of basic mic/line mixing facilities in a convenient, easy-to-use rack format. In addition to a selection of XLR mic and 1/4" unbalanced line inputs with volume and tone controls. There is also switch-selectable phantom power available o...
|
-
|
|
There are several types of cables used widely in pro audio – mic cables and patch cords with 2 or 3 conductors, instrument cables with 2 conductors, basic speaker cables with 2 conductors and MIDI cables comprised of DIN5 connectors using 2 conductors.
|
-
|
|
“Hum” in an audio system is often caused by loop effects which act like antennas. These loops can easily pick up a 60 Hz (or higher harmonics) hum transmitted by electrical wiring.
|
-
|
|
Use a CleanBOX! Its XLR-to-RCA channel 2 takes a XLR balanced signal, matches the signal levels and then provides an unbalanced (RCA) output, and Vice-Versa!
|
-
|
|
The ART Digital MPA professional Two-Channel microphone preamplifier uses differential input Class-A two-channel tube microphone preamp design with variable input impedance and selectable tube plate voltage to create the most versatile high performance microphone preamplifiers in their class.
|
-
|
|
Designed as the ideal preamp for any application, the tube driven TPS II and DPS II add warmth and texture to any audio source. These two-channel high performance preamps use a pair of hand selected 12AX7A tubes in the low noise input circuitry.
|
-
|
|
The ART HeadAmp6PRO is a six-channel stereo headphone amplifier that includes a six-channel auxiliary input section that can be used to provide the popular “More-Me” function on each headphone mix.
|
-
|
|
The HQ231 Dual 31-band Graphic EQ is perfect for any live sound application where there is a high feedback potential including monitor mixes, side-fill cabinets or high powered front-of-house mixes situations.
|
-
|
|
The ART MPA Gold professional Two-Channel microphone preamplifier uses differential input Class-A two-channel tube microphone preamp design with variable input impedance and selectable tube plate voltage to create the most versatile high performance microphone preamplifiers in their class.
|
-
|
|
The Pro Channel from ART is the latest offering from the world’s most popular tube dynamics processing manufacturer. ART engineers have combined the world-renowned Pro MPA, Pro VLA, and Tube EQ into a single product – creating the world’s best-sounding and most affordable professional recording c...
|
-
|
|
The ART ProVLA II is a tube driven Vactrol®-based Compressor / Leveling amplifier designed to excel in any professional audio environment. Superior performance and an incredible tone makes the ProVLA II and indispensable tool for tracking, mixing, mastering, dynamic control of live sound sources ...
|
-
|
|
The SLA-1 Studio Linear Amplifier is a robust yet compact power amplifier designed for studio or even select live applications. It has been designed and engineered to provide clean, quiet power and excellent sound with ultra-low noise and distortion.
|
-
|
|
The SLA-2 is studio linear power amplifier capable of delivering 280watts per channel (@4 ohms) with an incredible 10Hz to 40kHz frequency response. Compact single rackspace low noise linear design, the SLA-2 uses a solid steel chassis and toroidal transformer for added long term reliability.
|
-
|
|
Offering superb sound quality, the ART SLA-4 studio linear power amplifier delivers the clean power you need for any professional audio application including project or professional studio environments or commercial sound installations.
|
-
|
|
Designed as the ideal preamp for any application, the tube driven TPS II and DPS II add warmth and texture to any audio source. These two-channel high performance preamps use a pair of hand selected 12AX7A tubes in the low noise input circuitry.
|
-
|
|
The Tube MP is the world’s most popular external tube microphone preamp. Whether you’re working with a digital, computer or analog recording system, the Tube MP’s TEC award nominated design will allow you to obtain professional recording studio results at a fraction of the cost of comparable equi...
|
-
|
|
The Tube MP Project Series is a professional quality audio interface that lets you connect microphone, instrument, and line level signals to a mixer or other audio input.
|
-
|
|
The Tube MP Project Series is a professional quality audio interface that lets you connect microphone, instrument, and line level signals to audio inputs to digital audio workstations as well as standard analog devices.
|
-
|
|
The Tube MP Studio V3 delivers warmth and fatness to any audio source while maintaining an exceptionally low-noise signal path. While its primary function is as a microphone preamp with +48V phantom power, variable gain and phase reverse switching, the Tube MP is also an exceptionally versatile t...
|
-
|
|
The Tube PAC from ART is a combination of the world’s most popular tube mic/line preamplifier and optical tube compressor. ART engineers took the Tube MP and Tube Compressor and combined them into a single convenient aircraft-quality, extruded aluminum chassis.
|
-
|
|
The ART TubeFire8™ delivers the best of all worlds in one tube driven digital audio interface package. Ideal for any recording application, the TubeFire8™ packs eight incredibly warm second-generation discrete Class–A vacuum tube microphone preamps into a single rack space audio interface with ba...
|
-
|
|
The ART VoiceChannel is the perfect complete channel input strip for recording, broadcast or high profile live applications where maximum performance and detail is required.
|
-
|
|
The new ART XL 231 Dual 31 Band, 1/3 Octave Extended Long Throw Professional Equalizer has been designed and engineered to exceed extremely high standards for audio performance and functionality.
|
-
|
|
The Zdirect is a high quality totally passive interface that lets you connect instrument, line, or speaker level signals to a mixer or other balanced input thru a high performance audio isolation transformer.
|
-
|
|
The CA2 is a new 'budget' pre-amplifier from ATC that incorporates many of the key design features found in the company's state-of-the-art SCA2 audiophile model. But this is no budget, performer. The CA2 features remote control of source and volume. It has four inputs, plus a tape loop, a mute sw...
|
-
|
|
Never before has the multichannel experience been as open, dynamic... and affordable. ATC's new breathtaking compact Active 5.1 Multichannel system capable of accurately conveying the nuance and scale of the original recordings, either music or film.
|
-
|
|
With the C5, ATC has brought yet more innovation and distinctive performance to this segment of the home multichannel cinema market. The Active 20 compact speaker, which provides the front left/right and rear left/right channels in the C5 collection, sets a new benchmark for clarity, transparency...
|
-
|
|
The SCA 2 preamplifier was initially conceived to fulfil a specific need - to create a no-compromise amplifier to partner the range of ATC active loudspeaker systems. However, as development progressed it became abundantly clear that the SCA 2 preamplifier was capable of enhancing the performance...
|
-
|
|
The SCM 11 features ATC’s new “CLD” technology mid bass driver, with a 45mm integral soft dome. Constrained Layer Damping is a driver cone technology exclusive to ATC and represents a step-change in driver-to-system performance.
|
-
|
|
The SCM19 features ATC’s famous Super Linear Technology mid-bass drive unit, identical in specification to that used by ATC’s Active 20 Pro model, which is employed by many studios around the world. Super Linear Technology reduces third harmonic distortion by 10-15dB between 100Hz and 3kHz, impro...
|
-
|
|
The SCM7 features the new neodymium 25mm soft dome tweeter together with ATC’s high-efficiency 150mm mid/bass driver. The driver features a 45mm soft dome for exceptional horizontal dispersion of mid-band frequencies, and a huge 3.5kg high-energy magnet system, which includes a 45mm flat wire voi...
|
-
|
|
The ATC SCM0.1/15 sub-woofer uses the incredible ATC SL driver. At 375mm in diameter, it is the largest of the SL driver options and offers the lowest 3rd harmonic distortion of any large woofer we know, typically reducing it by 35dB. A massive built-in 1000W ATC high speed amplifier delivers ove...
|
-
|
|
The ultra-modern Active 10 has been designed to reproduce music in stereo from all sources including the new high bit rate SACD and DVD Audio formats. In this application, this outstanding loudspeaker is ideally suited to the smaller room where boundary effects further enhance an already hugely i...
|
-
|
|
The ultra-modern Active 10 has been designed to reproduce music in stereo from all sources including the new high bit rate SACD and DVD Audio formats. In this application, this outstanding loudspeaker is ideally suited to the smaller room where boundary effects further enhance an already hugely i...
|
-
|
|
The ATC SCM100 uses the same famous midrange as the ATC50, however it uses a larger 314mm Super Linear driver and increases the volume to 100 liters.
|
-
|
|
The ATC SCM100 uses the same famous midrange as the ATC50, however it uses a larger 314mm Super Linear driver and increases the volume to 100 liters.
|
-
|
|
The ATC SCM150 is the flagship ATC home loudspeaker, it offers a true full range sound with a response of 25Hz-22,000. The ATC uses a 15" Super Linear driver in order to meet such demanding reproduction.
|
-
|
|
The ATC SCM150 is the flagship ATC home loudspeaker, it offers a true full range sound with a response of 25Hz-22,000. The ATC uses a 15" Super Linear driver in order to meet such demanding reproduction.
|
-
|
|
The SCM 20 became a definitive classic monitor during the mid 90's. It took over 3 years to develop and represented ATC's first venture into affordable domestic monitoring. Central to its performance is the mid/bass unit designed by Billy Woodman and hand made in house at ATC. The hybrid design i...
|
-
|
|
The SCM 20 became a definitive classic monitor during the mid 90's. It took over 3 years to develop and represented ATC's first venture into affordable domestic monitoring. Central to its performance is the mid/bass unit designed by Billy Woodman and hand made in house at ATC. The hybrid design i...
|
-
|
|
The new Active 20 epitomises ATC Loudspeaker Technology's enviable reputation for engineering integrity, which provides users with a highly powerful, accurate and reliable product, backed by a 6-year warranty.
|
-
|
|
Innovative Two-Way loudspeaker with 20 litre curved enclosure. Aluminium and heavyweight laminated MDF composite eliminate cabinet resonance and diffraction problems. Finished in high gloss lacquer.
|
-
|
|
The SCM 20 became a definitive classic monitor during the mid 90's. It took over 3 years to develop and represented ATC's first venture into affordable domestic monitoring. Central to its performance is the mid/bass unit designed by Billy Woodman and hand made in house at ATC. The hybrid design i...
|
-
|
|
The ATC SCM50 floor standing loudspeaker is a new addition to the ATC lineup, with custom wood finish's such as rosewood (pictured here), the SCM50 is a truly handsome loudspeaker.
|
-
|
|
The ATC SCM50 floor standing loudspeaker is a new addition to the ATC lineup, with custom wood finish's such as rosewood (pictured here), the SCM50 is a truly handsome loudspeaker.
|
-
|
|
150 Watt per channel Stereo Integrated Amplifier by ATC. ATC has an enviable heritage of the design and manufacture of no-compromise studio electronics including the power amplifiers included in all ATC Active monitors.
|
-
|
|
ATC have been designing and building Professional Studio electronics for many years, and have earned an enviable reputation for the EC23 Active loudspeaker crossover and the associated power amplifiers built into their Active Studio Monitors.
|
-
|
|
Versatile stands may be adjusted from 20cm to 33cm and include a grip-action clutch and ebony-finished cast iron base. DS-7E is supplied with non-reflective ebony tubing.
|
-
|
|
The Atlas Sound MS-12C is an all-purpose chrome finished stand featuring durable tubing, the famous Atlas Sound® wearproof clutch, and a 10" dia. die cast low profile circular base. The three-piece clutch provides positive locking control and is able to withstand years of stage and studio handlin...
|
-
|
|
The new AT2020 USB offers studio-quality articulation and intelligibility. It plugs right into your computer’s USB port, and functions seamlessly with your favorite recording software. Equipped with a USB digital output, the AT2020 USB is perfect for home studio recording, field recording, podcas...
|
-
|
|
The AT2041SP Studio Pack offers two versatile 20 Series condenser microphones for use in home, project and commercial studios. Equally at home with digital and analog recording devices, the two included studio condensers deliver remarkable specs and superior build.
|
-
|
|
The studio-quality AT3031, a low-profile cardioid condenser microphone from Audio-Technica’s renowned 30 Series, is known for a flat, extended frequency response, high maximum SPL and wide dynamic range.
|
-
|
|
The low-profile AT3032 omnidirectional condenser recording mic is outstanding for piano, acoustic guitar, and other acoustic instruments. Known for its flat, extended frequency response and wide dynamic range, the AT3032 handles high SPLs with ease.
|
-
|
|
Designed for critical home/project/professional studio applications and live performance, this 30 Series large-diaphragm side-address cardioid condenser delivers exceptional detail and low noise. With its extended low-frequency response, the AT3035 produces rich, full sound reproduction and handl...
|
-
|
|
A price/performance first in tube microphone technology, AT3060 side-address tube mic delivers warm, classic tube sound. Operating on 48V phantom power, it offers the convenience and easy setup of a studio condenser.
|
-
|
|
The classic edition of the legendary AT4033 microphone, the side-address AT4033A offers low-noise, symmetrical, transformerless circuitry that results in exceptional transient response and clean output signals.
|
-
|
|
The AT4040 side-address condenser microphone features an advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics. A marriage of technical precision and artistic inspiration, the AT4040 offers exceptionally low noise, wide dynamic range and high-SPL capabil...
|
-
|
|
The AT-4047 deserves to take its place among the best of Audio-Technica's exquisite recording mics. And it soon will. As soon as the sound from this mic hits your ears, you'll know you're on to something special.
|
-
|
|
Meet the studio condenser that captures every nuance. With three switchable polar patterns, the large-diaphragm Audio-Technica AT4050 exhibits a remarkable combination of qualities: high-SPL capability with transparent and airy uppers/mids complemented by rich low-end qualities.
|
-
| |